The Portal

keyword
  • day into night
  • embodied transmission
  • body madness
  • access
  • disability studies
  • visual rhythm
  • voguing
  • clown
  • textuality
  • desire
  • autobiography
  • anatomy of gesture
  • foreign dances
  • disorientation
  • deadpan
  • visual storytelling
  • precarity
  • cartoons
  • pattern recognition
  • orality
  • call and response
  • documentation
  • embodiment
  • Irish step dance
  • Buster Keaton
  • perception
  • trance
  • body
  • speech acts
  • weather
  • systems theory
  • abstraction
  • fantasy
  • memory work
  • line drawing
  • refusal
  • praxis
  • figurative
  • grief
  • haptic visuality
  • emoji
  • postmodern dance
  • dance floors
  • object relations
  • Butoh
  • animation
  • sensation
  • nonfigurative
  • shapeshifting
  • ephemeral formats
  • tactility
  • black hole
  • street dance
  • dance in museums
  • parody
  • capitalism
  • Judson Dance Theater
  • humor
  • spatial relations
  • modern dance
  • interference
  • access intimacy
  • contracts
  • ghosts
  • Black studies
  • restaging
  • dance of darkness
  • vaporizing
  • ghost towns
  • sculpture
  • collaboration
  • healing
  • phenomenology
  • wearable sculpture
  • mapping
  • effort
  • internal landscapes
  • choreography
  • transformation
  • care work
  • deep listening
  • improvisation
  • camera
  • metaphor
  • gathering
practicetitleartistssiteyear

Making

The Inter-view

Cori Olinghouse and Jules Rosskam

Center for Innovation, Research, and Creativity in the Arts, University of Maryland, Baltimore County

2021